Cave – Neverendless (2011)

DOWNLOADCave – Adam Roberts (MP3)

Swirls of synthetic colors and mechanical forward-flinging grooves form the wonder of Cave, Chicago’s finest Krautrock revivalists, and with their newest ‘Neverendless’, they have chipped away at the already minimal motorik from their last brilliant full-length ‘Psychic Psummer’ (my favorite record of 2009) to reveal, without hesitation, their true form.

Neverendless
Cave's neu album

The cosmic style of krautrock has always been acutely though naively self-aware, driving the listener to blissful insanity through repetition and colorful shimmering  textures.  Cave have always been extremely able in their version of that 70’s Germanation, while always preserving the natural flow of great songwriting.  Most of their songs are instrumental, but there is always some sort of build and movement in their music, if you’re paying attention.

And you should be, because climax is just not as good without foreplay; Cave tease with their creative rhythmic patterns (Track 2, This is the Best’, features a mind-blowingly cool and humble groove the likes of which I’ve never heard) that just seem to go on and on—ahem, neverendlessly—that, if you’re listening, explodes at just the right time in an big hairy ball of sound (and sight, if that’s your thing) that just works so damn well.

Cave
WE JUST ATE SOME BITCHIN PIZZA

Cave’s latest grabs you right off the bat and hammers you inward with that classic Krautrock groove, ebbing and flowing like a psychic stream.  Neverendless is short at just over 40 minutes, but like all of Cave’s records (and their ton of EP’s and cassettes), the beat just blasts off into eternity.

SEE CAVE IN SAN FRANCISCO, 11/23 at DRAG CITY’S THANKSGIVING BLOWUP @ THE VERDI CLUB!

SEE THE NEW VIDEO FOR THE NEW SONG FROM THE NEW ALBUM!

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Moog + beer = blissful boozing

Combining a few of our favorite things: Moog synthesizers, tape decks, psychedelic tomfoolery & beer.  The 70′s were a hell of a drug.

Thanks to Bozak for the strong hit!

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Opeth – Heritage (2011)

Spotify listen link

Opeth’s ‘Heritage’ is exactly that.

The newly-proclaimed collective (more on that later) has decided to disregard any influence that they may have absorbed from their own previous nine outings, and instead pay an ambitious homage to the gatefold grandiosity of their progressive rock roots.  With this in mind, they have largely succeeded in their task of dutiful praise and worship, though the entire facade of recreating a former glory they never actually owned is far from invisible.

Heritage
PRIDE AND PRETENTIOUSNESS

That praise and worship is acknowledged right off the bat in ‘The Devil’s Orchard’, the first full length introduction to the new (read: old) Opeth, when Mikael Akerfeldt softly screams “God is Dead!”, a reminder than even though this band has attempted to discard their death metal reputations, the old rotten root still feeds this tree.  This opener is a tube-screamer of a tune, bouncing every which way , gently, gigantically, the first indicator that they’re going for Mike’s long stated dream of unflinching 70’s devotion.  If the record didn’t sound so good, he might have just achieved it.

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GRAVE / Blood Red Throne – Slim’s 9/18/2011

“Well, that was louder than I expected.”

Those were the words out of frontman Ola Lindgren’s mouth when Grave made it to the title track of ‘Into The Grave’, Grave’s seminal Grave-themed debut record, the 20th anniversary of which they were celebrating with this tour.  As the band plowed through the album track by track, finally making it to the song that helped define not just Swedish Death Metal, but in many ways death metal entirely, the crowd was rabid in their response of Ola’s call “Into the …..?”, surprising him with their graven enthusiasm.

GRAAAAVE
JUN JUN

Enthusiastic they were, head-banging, stage-diving, fist-pumping, getting the punk rock death metal fury out to a band that hasn’t made it to this American coast in some time.  Ola, Ronnie, and Tobias (wait, they are Swedish right?), decked in old school thrasher uniforms of Exciter T-shirts and tight jeans, seemed genuinely surprised, as if they were just some local band playing to a crowd spanning more than just their buddies and their girlfriends pretending to enjoy it.  The Bay Area vets were in attendance of course, but so was a whole other, younger crowd, that appeared to have just discovered the band in last weeks blog searching.

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Boris – New Album (2011)

Boris is dead.

The band that filled their stage with far too many full-stacks of amplifiers for the modest number of members; the band that liked to sit on one fat hairy note until their audience passed out from blissful exhaustion; the band that played heavy rock and roll–that band is no more.

The Japanese psych-punk-drone-hair-metal band Boris, while accustomed to reinventing themselves with each of their prolific releases, have put out New Album, a new album like nothing they’ve ever done before: It actually sounds Japanese.

Wata Temple
Wata Temple

But also electro. And also pop. And also punk. Much of could seemingly be the soundtrack to Mega Man X.

If Japanese bands have always had the penchant for soaring, sugary music, Boris has always bucked that cliche by playing a sort of dirty punk drone, which was rich in Orange and green texture, and massive, deep bass washes, which were brutal in their simplicity, and complex in their improvisational nature. Their live shows showed off their varying degrees; from fast and frenetic, to long and harrowing.
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Meshuggah’s I – heaviest song possible?

Listen: Meshuggah – I

Now, I’ve heard some heavy songs.

The first time I heard Metallica’s ‘One’ on headphones as a kid, I felt I was literally inVietnam, frenzied and overwhelmed.

In my first experience with The Beatles’ ‘I Want You (She’s So Heavy),’ I was nearly comatose in the absorption of apocalyptic drone and the fuzzed out march of death (though the brownies might have aided in that).

I
I (a.k.a. EYE)

But as this decade comes to a close, I’ve got to say that Meshuggah’s track (and EP of the same name) ‘I’ takes the cake as not only the heaviest song ever recorded, but perhaps the heaviest song that can be recorded. If you haven’t heard it yet, throw on your headphones, hit the LaLa button above, and sit back. You’re in for a ride.

‘I’ is the sound of everything going haywire. It is a journey through the forthcoming era of machine dominance, when man transcends his own biology and merges with technology. And ‘I’ is when it all goes wrong.

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Baroness / Clutch @ Regency Center SF, 7/22/09

Maybe I’ve been to too many death metal shows.

Maybe I’ve been too funked by to much funk.

But when I see a band completely killing it, throwing their all into their music, the sound actually moving, I need to move myself.

More salsa!
More salsa!

That’s why I was completely flummoxed to see the four guys in Baroness exude more energy than the entire crowd at last night’s Clutch / Baroness show at the Regency Ballroom in San Francisco.

Granted, Baroness’ brand of progressive stoner metal (a bit of an oxymoron, yes) isn’t geared toward the uninitiated. Their syncopated grooves, shifting hits of time signature, and hoarse bellows from the more scenic areas of the underworld aren’t exactly crafted for your average rock and roll booze hound.

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Ozric Tentacles @ The Independent SF, 5/27/09

Yes, I’ve already written a little dP blast about the Ozric Tentacles, and for good measure.  They’ve been consistently swirly for over 25 years now, and eternally fueled by hallucinogenic globs of mind stuff, will probably keep up their long trip for years to come.

Last night was their second show of their newest tour in support of The Yum Yum Tree, and while the crowd was notably sparser than their last stays in San Francisco, it was nonetheless a joyful one.  An encore was demanded by the crowd with a furor I haven’t heard in years.

Yeah, it's a little like that
Yeah, it

While the band is led by the “man, the myth,” Ed Wynne, it is really Ed’s wife Brandi Wynne who, in managing the low end and sound spirals, is the head honcho (in poncho).  Her exuberant grins when the music spirals into infinity, and her jubilant jumping when drummer Ollie Seagle is on a roll (which he was at many times last night), fuel the fire and keep the music beaming.

Though it is still Ed that keeps the music ablaze.  With his unlabeled Marshall stack pointed directly at him, and his litany of keythings to his side, he is an unabashed musical control center, guiding his band through colors unimaginable, into worlds unknown.  The bits between the bits, indeed.

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Grails – Acid Rain

Since the first time I saw Grails, opening for Neurosis, I’ve been smitten. It could easily be said that I celebrate their entire catalog. Over the years, the band has engaged in a fair deal of label hopping, with releases on Neurot, Important, Southern (Latitudes Series), and most recently Temporary Residence.  Acid Rain serves as a nice retrospective of their career, including highlights from their hazy 2004 tour of Europe, CMJ performance in 2006 and a full NYC set from 2007.

Grails - Acid Rain
Queue spooky sounds

 The real highlight though are the six original videos, edited by drummer extraordinaire Emil Amos. Basically a cross of 70′s cult cinema and cosmic imagery, these moving images provide the perfect accompaniment to Grails spacey sounds. I don’t know when Mr. Amos had the time to put this together, as the man is constantly involving himself in various duties. When not manning the drums for Grails, he’s behind the kit alongside Al Cisneros in ritual drone outfit Om. And since that’s not enough to keep a person busy, Emil also records solo projects under the moniker Holy Sons. Not a dud among all his works. 

But enough with the idol worship.  Medicate, check out the teaser below, and feed your brain Grails.

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Gojira – Getting Ready for ‘Phase 2′

Gojira have come a long way to be here.  They hopped the Atlantic Ocean, breaded their bus, and are smoking across our country, leaving thick wafts of death metal perfume wherever they go.

Fortunately for us, drummer Mario Duplantier and guitarist Christian Andreu surrendered an interview with downPICK before their first headlining tour Thursday night at Slim’s!  We discussed food, the French, why European metal fans are boring, and Gojira‘s plans for world domination.

J’aime San Francisco au mois de Mai…

Joe
Cucumbers!

Enjoy!

Well first off, welcome to San Francisco!

Christian – We went to a very nice place today, the hippie place.

Haight Ashbury?

C – Yeah I think so, I don’t know.

Did you make it to Amoeba, the big record store?

C – No, just to take coffee, to stay in the sun, and walk around.

Mario – We took a coffee and came back.  We don’t have enough time to visit.   It’s very frustrating for us each time on tour.  We just have one day and the day afterwards is another city.  San Francisco is an amazing city.  We know from France, everybody talks of San Francisco.  It’s very famous.

We were upstairs and looking at your merch table, and you had lots of pamphlets for PETA, the whales, and vegetarianism.  Are you Vegetarians?

C – Joe is vegetarian.  The rest of the band is not, but we just eat meat sometimes.  It’s very important to be careful, but we are not Vegi.

M – We feel concerned.   Christian is very concerned.  He has garden, and works on his own vegetables.

What do you grow?

C – Everything, tomato, eggplant, squash, and, uhhh… concombre?  How do you say…

Cucumber?

C- Cucumber!

Who’s looking after your garden on tour?

C – Mum! (laughs) and my brother too.

Is it hard though, when you’re on the road?  It’s a lot of fast food, especially in the United States.

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